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Archives for Experimental

Unmixed #23

The Unmixed tape 22

The Unmixed tape #23

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Unmixed #22

The Unmixed tape 22

The Unmixed tape #22

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Unmixed #21

The Unmixed tape 20

The Unmixed tape #21

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Unmixed #20

The Unmixed tape 20

The Unmixed tape #20

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Unmixed #19

The Unmixed tape 19

The Unmixed tape #19

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Best of The Unsigned: Derrick Hart

prodigal songs on the unsigned podcast

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I’m sick.  My nose is running so much that I am forced to stop it up with a handful of tissues, which I transformed into some sort of nose-tampon.  It’s a good opportunity to play a pre-recorded interview, right?

This episode is intended to mark the one-year anniversary of this podcast!  Hooray for us, yay… Our first episode featured Derrick‘s album “The Shock You Experience at the Sudden Recollection of the Moment You were Conceived” and now we’re going to feature an interview with Derrick and listen to some tracks off of his new LP, “Prodigal Songs“, which can be found on Bandcamp for only $5!

I’ve known Derrick since I was a kid.  His was the first “indie” band I ever saw and he’s the first person to instruct me on how to make the most out of a 4 track cassette recorder (that’s an antique tool used to capture sound onto analog tape for all of you who are under 22 years old).  Still, to this day, he’s one of the greatest singer/songwriters I’ve ever seen (that means you too, Joe Cocker!).

Derrick never spoke much; in the interview, he talks about spouting off about The Bible when he was younger but I never heard him do that back in the day.  What I remember most is that he’d disappear for a while and then we’d hear that he showed up in Seattle or something.  He always struggled with chemical addiction and he speaks very openly and honestly about it in the interview.  This is also a running theme on Prodigal Songs.

Derrick recently went on tour with David Bixby and they not only share the fact that they’re both accomplished singer/songwriters; they have both struggled against the traps of dogmatic thinking.  Derrick is helping to introduce David to the underground music scene in which David has become a cult phenomenon amongst hipsters and their psychedelic kin.

Finally, Derrick also speaks about his record label, “Wreckingball Wreckords“.  We will be featuring other artists from this label in the future; so, subscribe to the podcast and prepare yourself for some great tunes!



Best of The Unsigned: 3DCosby

3d cosby on The Unsigned podcast

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Transpose that line up one interval, one interval more, two intervals, 3 intervals, 5…, 8…, 13…

It’s strange how things build on themselves. The whole of something is rarely the sum of its parts; and, that is as true for collaborative music making as anything else. Take two abstract progressive deconstructionists like Daniel Harris and Matt Ross (aka subPixel 1, 2) for example. Both are innovative songwriters, one breaks boundaries with ambient looping and the other with the chiptune format. Together, they manage to reach new levels of abstraction and unearth new nuggets of creativity through their long-lasting collaboration.

3DCosby overlaps serious musical chops and a deeply rooted need for something new. What I love about this project is that it finds something new in a way that doesn’t highlight the structuralist sins that result, but the brotherhood between the bandmates. Very generally speaking, performers are often charged with being ego-driven, self-conscious, and image-obsessed (charges that these two are certainly innocent of); but, what’s rarely highlighted is that performers require trust in each other to achieve something innovative and new. All of those hyphenated terms can be seen as good things when they are focused through a great deal of talent, which 3DCosby has sweating out of its collective grundle.

The interview with Daniel covered the whole story… the friendship, recording, marketing, distributing, and playing live. Perhaps more importantly, we discussed the intricacies of a powerglove handjob, game-genie prostate massage, and why SNL doesn’t let subPixel do the damn thang.

Personally, I think it’s because he’s black.

 

3d cosby on the unsigned podcast

 

3DCosby’s Bandcamp page
on Facebook

Unmixed #18

The Unmixed tape 18

The Unmixed tape #18

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Best of The Unsigned: Microphones 101

naiant on the unsigned podcast

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There are many different types of microphones and the choices may be overwhelming to young musicians and sound engineers who are interested in home or field recording. If you’re a budding producer, you’ll never get to mogul status if you’re recording artists using the wrong microphone. Similarly, if you run an underground punk venue in your basement and you want to document all the great shows, this episode will prove very helpful.

Jon O’Neil is the founder of Naiant, a company that designs and manufactures innovative microphone and microphone accessories. In this episode, I ask Jon how he started his company, how its grown, and how people interested in sound recording can get the best results in a wide variety of sound spaces.

No Products

Naiant‘s most recent U series microphone is innovative because it supports interchangeable capsules, which are the sound sensors on the microphone. This not only saves you money, but it will let you get the best performance possible in a wide variety of soundscapes such as home studios, coffee shops, student lounges, auditoriums, basements, bars, etc.

Go to Naiant.com and check out all of the great, inexpensive products that Jon has created for his company, Naiant.

Unmixed #17

The Unmixed tape 17

The Unmixed tape #17

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Unmixed #16

The Unmixed tape 16

The Unmixed tape #16

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Unmixed #15

The Unmixed tape 15

The Unmixed tape #15

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Best of The Unsigned: Shoppers

shoppers on the unsighned

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“You can only be light.”

Meredith’s pressured speech ignites, illuminating a cacophonous mushroom cloud of fuzz and feedback.

“This resistance is reaction to the world we’re raised inside.”

Noise erupts but never overwhelms. Shoppers’ chemistry is undeniable, non-synthetic synthesis with some squealing guitar to boot.

Some bands fit nicely into pre-existing genres.  Those bands conform to the waves of external influence and can easily find gigs at a bar on any given Saturday night.  Other bands simply do not conform.  They can only be themselves.  Shoppers is its own unique unit, it’s a special sonic compound composed of free radicals who choose to coexist.

The story told in the album “Silver Year” is that of another free radical.  An enlightened young woman who’s searching, in vain, to find someone as radical as she is.

“All I wanted was some honest proof that people might be good and normal.  How does that confuse you?”

I’m a cave man, clinging to the cave walls in the dark, searching for something true without even a lantern to light my way or a shadow to keep me company.  When I hear track vi. on Silver Year, I drop my knuckles to the ground and drag them around as I pace and scream, ”I believe in love; I believe in truth; I believe in you.”

I stumbled my way through my interview with the band and this reading of Meredith’s lyrics.  I ask the tough questions… only in so much as they are difficult for me to ask.  My view may be limited by my base qualities and steeped in traditionally gendered stereotypes; but, I can’t help it.

“You can not take on that sadness. You must lift your arms and fight; lean into your fear and fall into your silver year.”

Why do we trade innocence for acceptance?

“[...] What’s the point of being young and dumb if you’re always too drunk to come?  Let’s share the blame. [...] The body is beautiful.  The body is alcoholic [...] I am ashamed.  Oh! I’m so good at making friends.  I can really clear the room.”

Some dream analysts say that silver represents purity and protection; this protection often takes the form of social justice, which implies a retroactive application of natural laws or “righting wrongs.”  I think this applies to the story illustrated lyrically on Silver Year.  The story of a girl struggling to figure out what it means to be pure and if it’s the loss of that purity or the desperate clinging to its ideal that leads to her suffering.

“Hit me harder; I’m already gone.  It’s a bedroom riot now. [...] hold me down; fuck my mouth; but, it’s all still holy somehow [...] First, I closed my legs; then, I closed my mouth; then, I closed my heart; now, I’m shutting down. You’ll know when I’m ashamed.”

It’s not the story of a promiscuous girl who’s been fucked raw, though it might be the story of an enlightened being who perseverates on her own penetration.  This is the story of sexual liberation.

This girl in the story has nothing to be ashamed of and seems to blame herself for other people’s failure to show empathy or the enlightenment that she assumes is universal.  Trust me, sweetheart, you’re alone.  She’s a character who’s much more invested in others than they are in her.  Her search for the external affirmation of what she already knows is truly great about herself leads to vulnerable situations and then the self-hate at the realization that external affirmation is hollow and meaningless.

Download Silver Year for free!

Feeble Minds Records

Shoppers on Bandcamp

Unmixed #14

The Unmixed tape 14

The Unmixed tape #14

Best of The Unsigned: subPixel

subpixel on The Unsigned podcast

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subPixel‘s new double EP, The Wave, is out and it’s f’ing radical.  This is the first time I’ve heard of a double EP and I’m not at all surprised that it came from subPixel.  There are 2 versions of 6 songs, which makes for 12 tracks.  Each song is done in two formats; the first format is live with real instruments; the second format is called “chip” and uses the same technology as 1st generation Nintendo used.

What’s special about subPixel‘s The Wave is that the two versions can be played synchronously and mixed channel-by-channel with an upcoming application made by subPixel.  This is genius.  It’s genius AND it sounds good.  There are a lot of progressive projects out there that sacrifice melody and hook in order to experiment with odd syncopation and abstract harmonies.  The problem is, many of those projects get the soul squeezed out of them early in the conceptual phase and become impressive yet hollow robotic novelties.

Instead of musically masturbating on tape, subPixel uses his mathematical mind to document the many levels of melody that run rhythmically through his musical mind.  He’s one of those guys who never stops hearing music because he never stops listening.  If you’re in the Hudson Valley, check out one of his performances in New Paltz!

subPixel on Bandcamp

… subPixel on Facebook

… subPixel on Ubiktune 2, 3

Unmixed #13

The Unmixed tape 13

The Unmixed tape #13

Unmixed #12

The Unmixed tape 12

The Unmixed tape #12

Unmixed #11

The Unmixed tape 11

The Unmixed tape #11

Unmixed #10

The Unmixed tape 10

The Unmixed tape #10

Ep. 47: Microphones 101

naiant on the unsigned podcast

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There are many different types of microphones and the choices may be overwhelming to young musicians and sound engineers who are interested in home or field recording. If you’re a budding producer, you’ll never get to mogul status if you’re recording artists using the wrong microphone. Similarly, if you run an underground punk venue in your basement and you want to document all the great shows, this episode will prove very helpful.

Jon O’Neil is the founder of Naiant, a company that designs and manufactures innovative microphone and microphone accessories. In this episode, I ask Jon how he started his company, how its grown, and how people interested in sound recording can get the best results in a wide variety of sound spaces.

No Products

Naiant‘s most recent U series microphone is innovative because it supports interchangeable capsules, which are the sound sensors on the microphone. This not only saves you money, but it will let you get the best performance possible in a wide variety of soundscapes such as home studios, coffee shops, student lounges, auditoriums, basements, bars, etc.

Go to Naiant.com and check out all of the great, inexpensive products that Jon has created for his company, Naiant.

Unmixed # 9

The Unmixed tape 9

The Unmixed tape #9

Ep. 45: The Doctors Fox

The Doctors Fox from Boston MA Handful of Laughs on The Unsigned podcast

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We featured The Doctors Fox’s last LP, Plural Non-Posessive, on Ep. 9 of The Unsigned and, now that they’re back with Handful of Laughs ($8 on Bandcamp), we just had to spread the word!

The Doctors Fox are one of the most eclectic and experimental bands out there.  As a Boston band, they are expected to be able to adapt and appeal to large groups of strangers at bars; but, their musicianship is so adept, they simply cannot simply play the standards.  Instead, they take identifiable melodies and slowly distend them, bending the audience’s collective ear until the reach the point of prolapse.

Collective prolapse has been the main goal of music since the dawning of time; The Doctors Fox should rest assured that they’ve accomplished what languageless hand-drummers set out to do eons ago.

The Doctors Fox’s website

on Bandcamp

on Twitter

Unmixed #7

The Unmixed tape 7

The Unmixed tape #7

Unmixed #5

The Unmixed tape 5

The Unmixed tape #5

Unmixed #4

The Unmixed tape 4

The Unmixed tape #3

Ep. 42: David Bixby on Cult Leadership

David Bixby on The Unsigned podcast Ode to Quetzalcoatl poster

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David Bixby released Ode to Quetzalcoatl (OtQ) in 1969 and it has since become a cult classic album in the loner acid-folk-rock subgenre of American music.  Original pressings of the album have sold for thousands of dollars at auction and made David Bixby a figurehead for ex hippies and psychedelic hipsters who are seeking guidance in a world that has become more destructive and distorted than a bad trip.

In my interview with David, he tells me about growing up in the midwest during the late 60′s.  Echoing the story he tells on OtQ, David says that he took too much acid in too short a time and, without proper guidance or debriefing from his psychedelic experience, he found himself desperate for support and assimilating into a Christian cult, which he refers to only as “The Group.”

No Products

In at the ground floor, David grew into this new identity as loyal cult member and second-tier leader.  His music helped draw impressionable young people who were then assimilated and exploited for their own individual talents.  The women were targeted for their sexual attributes as well as their managerial ones.  Men like Bixby were made into workers of this amorphous colony referred to as “The Group.”  A pyramid scheme in the truest sense, they were made to sell goods door-to-door for a well-known franchises, which the leader profited from primarily.

David’s second album, Harbinger, was marketed and sold in support of this cult.  He was not credited anywhere on the album at the behest of The Group leader.  I’d call it a hijacking but David assures me that he gave it willingly at the time.  This lead us to the heart of the interview, the golem.

Golems are constructions of any given group of people.  People assume that cult leaders are ego-driven, paternal or maternal sociopaths (this is true; I used to work for one) and that the cult members are victims.  But, you can’t sell what people aren’t buying and, in many ways, cult members build up their leaders and the leaders then turn into the monstrous golems that gain all the notoriety.  Pathological golems like Jim Jones, Charles Manson, David Karesh… they wouldn’t have been so monstrous without the support of their drones who are, themselves, miniature monsters dropping Caesar’s coins in the basket to buy lawyers or weapons.  The bundle of sticks surrounding the axe moves the same way.  The macro structure of the cult is fractally reflected in the micro structure of every interpersonal relationship or individual schema within it.

Conformity is an active process.  You have to willingly give up your personal power and let the shell of your former self be zombified by the voodoo of a nearby egomaniac who claims to know a better way.  Vulnerable are the guilty, the fearful, the lonely, and the self-loathing.

Psychedelics are powerful medicine.  Recent studies suggest that psychedelics like psilocybin and LSD have a great amount of power to facilitate change in personality, parsing truth from pretense and letting the individual regain control over their cognitive behavior.  I’m inexperienced in this (… and my personality sucks…) but I hear that the successful use of this medicine requires guidance.  The psychedelic territory is so foreign that someone needs to lead you through it.  The tricky part is finding a guide, not a leader.  You need someone who translates what the mycelium is saying, not someone who spins the message to benefit them or their privates.

“Hey pretty lady on drugs, the mushroom gods are telling me to tell you to take off your clothes.”

We all search for meaning.  We all need answers of one sort or another.  Some are happy distracting themselves with material things like shoes, outfits, or vibrators.  Some of us build elaborate metaphorical mental structures called dogma.  Others are less cognitive and more behavioral, performing redundant rituals in search of something less redundant, I think.  Others just say, “fuck it,” and kill themselves in order to escape the sadistic suffering imposed on them by their creator.  Even Jesus knew that, when surrounded by ignorant fools, your best bet is to just GET THE FUCK OUT.

No Products
No Products

… more to come

Ep 41: 3DCosby

3d cosby on The Unsigned podcast

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Transpose that line up one interval, one interval more, two intervals, 3 intervals, 5…, 8…, 13…

It’s strange how things build on themselves. The whole of something is rarely the sum of its parts; and, that is as true for collaborative music making as anything else. Take two abstract progressive deconstructionists like Daniel Harris and Matt Ross (aka subPixel 1, 2) for example. Both are innovative songwriters, one breaks boundaries with ambient looping and the other with the chiptune format. Together, they manage to reach new levels of abstraction and unearth new nuggets of creativity through their long-lasting collaboration.

3DCosby overlaps serious musical chops and a deeply rooted need for something new. What I love about this project is that it finds something new in a way that doesn’t highlight the structuralist sins that result, but the brotherhood between the bandmates. Very generally speaking, performers are often charged with being ego-driven, self-conscious, and image-obsessed (charges that these two are certainly innocent of); but, what’s rarely highlighted is that performers require trust in each other to achieve something innovative and new. All of those hyphenated terms can be seen as good things when they are focused through a great deal of talent, which 3DCosby has sweating out of its collective grundle.

The interview with Daniel covered the whole story… the friendship, recording, marketing, distributing, and playing live. Perhaps more importantly, we discussed the intricacies of a powerglove handjob, game-genie prostate massage, and why SNL doesn’t let subPixel do the damn thang.

Personally, I think it’s because he’s black.

 

3d cosby on the unsigned podcast

 

3DCosby’s Bandcamp page
on Facebook

Unmixed #2

The Unmixed tape 1

The Unmixed tape #2

Ep. 36: Supercute!

Supercute! on The Unsigned podcast

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What would happen if Wesley Willis bred with Bjork? What quirky, schizophrenic, Supercute monster would spawn from their unholy commingling?

This is not a “Where Are They Now?: Toddlers in Tiaras edition”; this is not a Bratz Dollz supergroup; and, this is not that serious; THIS IS SUPERCUTE!

Supercute is a bubblegum pop band… sorta like Destiny’s Child but with a little less Destiny than Child… What’s strange is that the core group of performers are all young adults who dress to look young in what appears to be princess Halloween costumes made by four year olds.  They sing goofy satirical tunes from an almost militantly pedantic perspective… that makes it pedantic as in “child-like”; but, not pedantic as in lacking in thought.

Maybe, rather than Wesley Willis and Bjork, this is the result of a torrid love-affair between Lady Gaga and Raffi.  Either way, I’m terrified.

Supercute! on Bandcamp

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Ep. 35: subPixel

subpixel on The Unsigned podcast

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subPixel‘s new double EP, The Wave, is out and it’s f’ing radical.  This is the first time I’ve heard of a double EP and I’m not at all surprised that it came from subPixel.  There are 2 versions of 6 songs, which makes for 12 tracks.  Each song is done in two formats; the first format is live with real instruments; the second format is called “chip” and uses the same technology as 1st generation Nintendo used.

What’s special about subPixel‘s The Wave is that the two versions can be played synchronously and mixed channel-by-channel with an upcoming application made by subPixel.  This is genius.  It’s genius AND it sounds good.  There are a lot of progressive projects out there that sacrifice melody and hook in order to experiment with odd syncopation and abstract harmonies.  The problem is, many of those projects get the soul squeezed out of them early in the conceptual phase and become impressive yet hollow robotic novelties.

Instead of musically masturbating on tape, subPixel uses his mathematical mind to document the many levels of melody that run rhythmically through his musical mind.  He’s one of those guys who never stops hearing music because he never stops listening.  If you’re in the Hudson Valley, check out one of his performances in New Paltz!

subPixel on Bandcamp

… subPixel on Facebook

… subPixel on Ubiktune 2, 3

Ep. 34: Derrick Hart

prodigal songs on the unsigned podcast

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

I’m sick.  My nose is running so much that I am forced to stop it up with a handful of tissues, which I transformed into some sort of nose-tampon.  It’s a good opportunity to play a pre-recorded interview, right?

This episode is intended to mark the one-year anniversary of this podcast!  Hooray for us, yay… Our first episode featured Derrick‘s album “The Shock You Experience at the Sudden Recollection of the Moment You were Conceived” and now we’re going to feature an interview with Derrick and listen to some tracks off of his new LP, “Prodigal Songs“, which can be found on Bandcamp for only $5!

I’ve known Derrick since I was a kid.  His was the first “indie” band I ever saw and he’s the first person to instruct me on how to make the most out of a 4 track cassette recorder (that’s an antique tool used to capture sound onto analog tape for all of you who are under 22 years old).  Still, to this day, he’s one of the greatest singer/songwriters I’ve ever seen (that means you too, Joe Cocker!).

Derrick never spoke much; in the interview, he talks about spouting off about The Bible when he was younger but I never heard him do that back in the day.  What I remember most is that he’d disappear for a while and then we’d hear that he showed up in Seattle or something.  He always struggled with chemical addiction and he speaks very openly and honestly about it in the interview.  This is also a running theme on Prodigal Songs.

Derrick recently went on tour with David Bixby and they not only share the fact that they’re both accomplished singer/songwriters; they have both struggled against the traps of dogmatic thinking.  Derrick is helping to introduce David to the underground music scene in which David has become a cult phenomenon amongst hipsters and their psychedelic kin.

Finally, Derrick also speaks about his record label, “Wreckingball Wreckords“.  We will be featuring other artists from this label in the future; so, subscribe to the podcast and prepare yourself for some great tunes!

Ep. 32: Shoppers

shoppers on the unsighned

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“You can only be light.”

Meredith’s pressured speech ignites, illuminating a cacophonous mushroom cloud of fuzz and feedback.

“This resistance is reaction to the world we’re raised inside.”

Noise erupts but never overwhelms. Shoppers’ chemistry is undeniable, non-synthetic synthesis with some squealing guitar to boot.

Some bands fit nicely into pre-existing genres.  Those bands conform to the waves of external influence and can easily find gigs at a bar on any given Saturday night.  Other bands simply do not conform.  They can only be themselves.  Shoppers is its own unique unit, it’s a special sonic compound composed of free radicals who choose to coexist.

The story told in the album “Silver Year” is that of another free radical.  An enlightened young woman who’s searching, in vain, to find someone as radical as she is.

“All I wanted was some honest proof that people might be good and normal.  How does that confuse you?”

I’m a cave man, clinging to the cave walls in the dark, searching for something true without even a lantern to light my way or a shadow to keep me company.  When I hear track vi. on Silver Year, I drop my knuckles to the ground and drag them around as I pace and scream, ”I believe in love; I believe in truth; I believe in you.”

I stumbled my way through my interview with the band and this reading of Meredith’s lyrics.  I ask the tough questions… only in so much as they are difficult for me to ask.  My view may be limited by my base qualities and steeped in traditionally gendered stereotypes; but, I can’t help it.

“You can not take on that sadness. You must lift your arms and fight; lean into your fear and fall into your silver year.”

Why do we trade innocence for acceptance?

“[...] What’s the point of being young and dumb if you’re always too drunk to come?  Let’s share the blame. [...] The body is beautiful.  The body is alcoholic [...] I am ashamed.  Oh! I’m so good at making friends.  I can really clear the room.”

Some dream analysts say that silver represents purity and protection; this protection often takes the form of social justice, which implies a retroactive application of natural laws or “righting wrongs.”  I think this applies to the story illustrated lyrically on Silver Year.  The story of a girl struggling to figure out what it means to be pure and if it’s the loss of that purity or the desperate clinging to its ideal that leads to her suffering.

“Hit me harder; I’m already gone.  It’s a bedroom riot now. [...] hold me down; fuck my mouth; but, it’s all still holy somehow [...] First, I closed my legs; then, I closed my mouth; then, I closed my heart; now, I’m shutting down. You’ll know when I’m ashamed.”

It’s not the story of a promiscuous girl who’s been fucked raw, though it might be the story of an enlightened being who perseverates on her own penetration.  This is the story of sexual liberation.

This girl in the story has nothing to be ashamed of and seems to blame herself for other people’s failure to show empathy or the enlightenment that she assumes is universal.  Trust me, sweetheart, you’re alone.  She’s a character who’s much more invested in others than they are in her.  Her search for the external affirmation of what she already knows is truly great about herself leads to vulnerable situations and then the self-hate at the realization that external affirmation is hollow and meaningless.

Download Silver Year for free!

Feeble Minds Records

Shoppers on Bandcamp

Ep. 31: Snowmine

snowmine on the unsigned podcast

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“Nothing lasts forever” is the recurring message I get when listening to Snowmine‘s Laminate Pet Animal.  The layers of instruments, effects, and vocals repeatedly hammer home the idea that everything that comes also goes.

“Linear time is an illusion,” is what I keep reminding myself, trying to ward off the non-illusory sense of loss that comes when the album’s over.  In my head, I’m always listening; my brain’s still trying to process it bit by digital bit.  Is it anthemic folk rock?  Hook-laden outsider art made from found pieces thrown away by Brooklynites along with cans of Blue Ribbon?  Nope.

Memories fade, tastes change, but form can persist if it’s shielded from agents of decay.  In pop music, some agents of decay are contracts, advances, award shows, chart listings, and smiling suits.  That’s why finding great bands such as Snowmine is so rewarding.  Albums like Laminate Pet Animal are beloved companions on long car rides and whilst doing chores.  Though the idea of laminating a beloved pet animal seems morbid to me, the idea of saving a vacuum sealed copy of Laminate Pet Animal is appealing because I know that this band deserves to stay untarnished and fresh.

Snowmine on Bandcamp

 … Facebook

… Twitter 

 

Ep. 30: Roh Delikat

Roh Delikat on The Unsigned podcast

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The space between my ears felt raw and delicate, like when I bite my nails until I taste blood.  I experienced complete sensory overload when I saw Roh Delikat in an Albany bar in 2004.  Coerced into driving my friend Jackie, I wasn’t sure if I’d dig it at first.  Before they started playing all I saw was some three piece band fronted by a petite young woman with a serious expression who was  backed by an only slightly taller, somewhat gaunt drummer and a giant, long-haired bass player.  I realized what I was in for as soon as she cranked up her Gibson and started to sing.  Roh Delikat is a three member gem buried deep in the underground in a dark, lonely spot known only as Allston, MA.

Before Roh Delikat was done playing, I had already taken out my wallet and debated whether or not I really needed food for the next week.  Could I, a poor college student, subsist only on this rock and roll?  Yes. I  picked up the Ant EP and spent the next few years listening obsessively.  All my friends thought I was so cool for introducing them to the band.  Some compared it to Denali and others compared it to Fugazi, both were right and both were wrong.

At the time, the Ant EP was the only available recording.  They were touring with it before the full-length “Deaf + Dear” became available.  Since then, they have released another full length called “Sunny”, which contains a couple of the tracks off of the original EP.  But, the Ant is nowhere to be found.  I couldn’t even find the track listing online, which is why I had to guess at the last song’s title.  It’s one of my favorite songs and I realized it after waking up a few days ago with it playing, unprompted, in my head.  Thank you, Roh Delikat, thank you very much!

“Deaf + Dear” and “Sunny” are available for only $5 on Roh Delikat’s Bandcamp site! You will not be disappointed.

Roh Delikat on Bandcamp

… on Facebook

… on Myspace

… on iTunes 

Ep. 27: Timbre Coup

Timbre Coup on The Unsigned podcast

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Timbre Coup, from New York’s Capital Region, is a groove-heavy jam band who regularly make the rounds in summer festivals and college-town bar scenes. I remember seeing them a few years ago when they were much younger and they were impressive even then.

Timbre Coup is quite prolific. The group releases new EPs and LPs on a regular basis. Featured on The Unsigned are two songs from the EP “Check Out This!” and, in the time it took me to work around all my technological disasters and get this show out, they’ve recorded a new release! WTF.

Check out Timbre Coup’s website here
on Facebook

One correction: I said Mountain Stage in the podcast when I meant to say the name of some other outdoor festival, which I still can’t remember… blah

Ep. 9: The Doctors Fox

The Doctors Fox are an amalgam of eclectic taste, huge talent, and space-alien spermatozoa.  Half unknown extraterrestrial and half They Might Be Giants/Frank Zappa fanboys, they reverse-engineer rhythm and melody to produce an original, intergalactic sound.  Through their deconstruction of diverse musical structures they create hybrid standards for what has to be considered a post-genre age.  
Their first album, Plural Non-Possessive, is available FREE to download from their bandcamp page.  
Also, be sure to support the podcast by signing up for audible.com‘s free trial & free audiobook here.  You can also buy the gear you need through us by clicking on the zzounds.com link and making your purchase from that page.

Ep. 5: Daniel Harris

Screw you, folk-rock; Daniel Harris is taking no prisoners.  His self-proclaimed “anti-folk” album, 32 bits isn’t really 8 bits better, promises to dismantle the overly-litteral alliterative axioms of classic folk music.  It’s stripped down orchestration that sounds HUGE (especially through headphones).  It’s catchy; you’ll find yourself humming the tunes in the shower and, in doing so, cursing the ground that Joni Mitchell paved through history.
This album can be found at Daniel’s bandcamp page ($7 CD, $5 digital download).
You can find his visual art here.
Listen to his band, The Doctors Fox, here.
Subscribe to the podcast through iTunes; it’s free and you’ll hear tons of new, interesting bands. —–>

Ep. 2: subPixel

subPixel on The Unsigned podcast

Episode 2 features subPixel‘s most recent release, Birthdays.  This cd offers 15 of the most interesting, unique music you’ll likely hear for a long, long time.
Each song is a birthday gift given to a friend of subPixel’s from 2008 to 2010.  If you visit his bandcamp site, you’ll be able to purchase this cd for an astoundingly low $5 or purchase the high-quality, digital format for a whopping $2.
If you decide to go all out and buy the cd, you’ll own one of only 150 copies.  This limited release was hand-created by the artist, who screen printed the cases and constructed them by hand.  A sweet birthday cupcake sticker and insert is also included in each cd.
Please subscribe to the podcast and enjoy the advanced features of the enhanced podcast!  Subscription information is available on the right-hand side of this page.
unsigned indie band rock and roll
unsigned indie band rock and roll