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Archives for Folk

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Ep. 52: The New Acid Test

the new acid test on the unsigned podcast

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The New Acid Test is an experiment from Kent, NY.  It’s a collaborative effort from Veto Mega, DJ Kryptonite, Boxguts, and Jack of All Trades… I may have forgotten a few.  The New Acid Test’s album, The Cubensis Sessions, is available now on Bandcamp!

The New Acid Test on Bandcamp

 

… I wonder if these dudes do drugs…

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Ep. 51: Mystery Skulls

mystery skulls on the unsigned podcast

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I got to be extremely awkward and weird while interviewing the man behind Mystery Skulls! Mystery Skulls’ EP, EP, is available now on Bandcamp!

Mystery Skulls on Bandcamp
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Best of The Unsigned: Derrick Hart

prodigal songs on the unsigned podcast

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I’m sick.  My nose is running so much that I am forced to stop it up with a handful of tissues, which I transformed into some sort of nose-tampon.  It’s a good opportunity to play a pre-recorded interview, right?

This episode is intended to mark the one-year anniversary of this podcast!  Hooray for us, yay… Our first episode featured Derrick‘s album “The Shock You Experience at the Sudden Recollection of the Moment You were Conceived” and now we’re going to feature an interview with Derrick and listen to some tracks off of his new LP, “Prodigal Songs“, which can be found on Bandcamp for only $5!

I’ve known Derrick since I was a kid.  His was the first “indie” band I ever saw and he’s the first person to instruct me on how to make the most out of a 4 track cassette recorder (that’s an antique tool used to capture sound onto analog tape for all of you who are under 22 years old).  Still, to this day, he’s one of the greatest singer/songwriters I’ve ever seen (that means you too, Joe Cocker!).

Derrick never spoke much; in the interview, he talks about spouting off about The Bible when he was younger but I never heard him do that back in the day.  What I remember most is that he’d disappear for a while and then we’d hear that he showed up in Seattle or something.  He always struggled with chemical addiction and he speaks very openly and honestly about it in the interview.  This is also a running theme on Prodigal Songs.

Derrick recently went on tour with David Bixby and they not only share the fact that they’re both accomplished singer/songwriters; they have both struggled against the traps of dogmatic thinking.  Derrick is helping to introduce David to the underground music scene in which David has become a cult phenomenon amongst hipsters and their psychedelic kin.

Finally, Derrick also speaks about his record label, “Wreckingball Wreckords“.  We will be featuring other artists from this label in the future; so, subscribe to the podcast and prepare yourself for some great tunes!



Best of The Unsigned: Rosie and Me

Rosie and Me on The Unsigned podcast

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Rosie and Me is a 5-piece folk-pop band from Curitiba, Brazil.  They were formed when singer-songwriter Rosanne Machado began sharing her songs on the internet.  In 2010, comprised of Rosanne Machado (vocals/acoustic guitars/banjo), Guilherme Miranda (bass guitars), Ivan Camargo (acoustic guitars), Tiago Barbosa (drums/perc) and Thomas Kossar (electric guitars), the band released their critically acclaimed EP “Bird and Whale” and had their song “Darkest Horse” featured in the season finale of the top TV series “One Tree Hill” (8th season).

Rosie and Me‘s new LP is called Arrow of My Ways and is available to international fans on iTunes.  Be sure to follow Rosie and Me on Facebook and Twitter to get information on their upcoming shows in the U.S.

Sometimes, when I really love a new band, it’s easy to put why into words.  Bands like Shoppers, Snowmine, Brown Bird, Roh Delikat, and subPixel stimulate my Broca’s area and make writing about them easy.  Rosie and Me has been different.

Rosie and Me demands my undivided attention.  Arrow of My Ways is packed with peaceful yet passionate tracks like Light You Up and Treehouse, which are about as romantic as can be…

“Dear, I guess that I’ve known you forever
From far away, from long ago
You know hearts like ours hold a promise
That has been kept for so long”

 

Rosie and Me’s Website

… Rosie and Me on iTunes

… Rosie and Me on Facebook

… Rosie and Me on Twitter

… Rosie and Me on Soundcloud

Rosie and Me – Bonfires from nathaliatereza on Vimeo.

Rosie and Me will be playing the Hotel Cafe showcase at SXSW, on March, 17th. This will be the  lineup:

St Davids Bethell Hall (Austin, TX) – March 17th (Saturday)

7 – Rosie & Me

730 – Erin McLaughlin

8 -  Elizabeth & The Catapult

830 – Micah P Hinson

9 – Milk Carton Kids

930 – The Lumineers

10  (cushion)

1030 – Firehorse

11 – Whispertown

1130 – LP

12 – Rachael Yamagata

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Best of The Unsigned: Waking Up to Corruption

David Bixby on The Unsigned podcast Ode to Quetzalcoatl poster

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We continue our short series on David Bixby, Christian cults, culture, and celebrity by comparing personal spiritual experience to top-down, hierarchical systems like cults of personality. Though my lexicon may differ significantly from David’s, we were able to identify many shared core principles, observations, and lessons from our communal search for purpose.

No Products

We live in an anthropic, self-similar world. In this place, things are very much as they seem; there is no need for a heaven above or a hell below.  There’s no need for a matrix, separating us from our true selves. In this place, the matrix is in you and all around you.  Here, power can’t loom over individual will; instead, we welcome the knowledge of a shared spirit weaving together our subjective experiences into a true human tapestry.

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Best of The Unsigned: subPixel

subpixel on The Unsigned podcast

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subPixel‘s new double EP, The Wave, is out and it’s f’ing radical.  This is the first time I’ve heard of a double EP and I’m not at all surprised that it came from subPixel.  There are 2 versions of 6 songs, which makes for 12 tracks.  Each song is done in two formats; the first format is live with real instruments; the second format is called “chip” and uses the same technology as 1st generation Nintendo used.

What’s special about subPixel‘s The Wave is that the two versions can be played synchronously and mixed channel-by-channel with an upcoming application made by subPixel.  This is genius.  It’s genius AND it sounds good.  There are a lot of progressive projects out there that sacrifice melody and hook in order to experiment with odd syncopation and abstract harmonies.  The problem is, many of those projects get the soul squeezed out of them early in the conceptual phase and become impressive yet hollow robotic novelties.

Instead of musically masturbating on tape, subPixel uses his mathematical mind to document the many levels of melody that run rhythmically through his musical mind.  He’s one of those guys who never stops hearing music because he never stops listening.  If you’re in the Hudson Valley, check out one of his performances in New Paltz!

subPixel on Bandcamp

… subPixel on Facebook

… subPixel on Ubiktune 2, 3

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Best of The Unsigned: How to put on shows

The SUNY Oswego Indie Series on The Unsigned podcast

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“If you build it, they will come.”

It turns out that colleges might not just be debt farms!

College students love new music and attending live music events; but, as they sink further and further into academic debt-slavery, they don’t have very much money to spend on cultural events such as these.  So, it’s important that they know the ways in which they can tap into school funds in order to put on great, inexpensive shows on their campuses.  Taking control of your own cultural development is no longer just an option; it’s a necessity.

On this episode, we hear from Jon O’Neil, who builds sound equipment through his company, Naiant, and volunteers for The Outer Banks Forum for the Lively Arts, which is a municipal music series. We also hear from Ted Winkworth, who was the lead singer for Another Breath and now runs the Oswego Indie Series at SUNY Oswego, where he is also a drug and alcohol abuse prevention professional.

No Products

The goal for this episode is to enumerate the ways in which college students and community members may attract funding in order to put on concerts in their area.  We will hear how this is done in schools as well as in the larger community.

Naiant on The Unsigned podcast
No Products

Don’t settle for slavery.

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Ep. 50: Rebirth

David Bixby on The Unsigned podcast Ode to Quetzalcoatl poster

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David Bixby not only survived being in a christian cult with his mind in tact; he also survived a shipwreck off the west coast of North America and a midwest tour with Derrick Hart.

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David tells us how this experience fits into his life’s narrative and how it reconnected him with his older material and the significance it has with the current underground culture.

Always a seeker, David’s journey has taken him from the midwest, through a cult, into the sea, and, most recently, on a short tour with Derrick Hart.  Check out It’s Psychedelic Baby Magazine for future columns written by David!

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Ep. 49: How to Survive a Shipwreck

David Bixby on The Unsigned podcast Ode to Quetzalcoatl poster

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David Bixby not only survived being in a christian cult with his mind in tact; he also survived a shipwreck off the west coast of North America.  While sailing with only his dog, he woke in the middle of the night to find that he had ventured into rough seas.  His boat was torn apart and he was forced to cling to a floating section that happened to contain his dog, who also survived.

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David tells us how this experience fits into his life’s narrative and how it taught him the importance of exercising his own volition.

Always a seeker, David’s journey has taken him from the midwest, through a cult, into the sea, and, most recently, on a small tour with Derrick Hart.  We’ll hear more about this tour from David on the next episode of The Unsigned podcast.

Ep. 48: Inoculation

David Bixby on The Unsigned podcast Ode to Quetzalcoatl poster

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We continue our short series on David Bixby, Christian cults, culture, and celebrity by comparing personal spiritual experience to top-down, hierarchical systems like cults of personality. Though my lexicon may differ significantly from David’s, we were able to identify many shared core principles, observations, and lessons from our communal search for purpose.

No Products

After my explanation of why I used the analogy of rape cults to dissect what’s really happening to people who accept top->down, pyramidal hierarchical social systems, David and I talk about how to escape. If you’re a young American, you know better than most what it’s like to be raped by your parent’s generation who have been indoctrinated into a culture of greed, corruption, and abuse. If you’ve been abused by a religious cult, a pedagogical cult, military cult, or financial system of abuse, you probably don’t see a way out; but, David argues that there is a way.

We talk about how to challenge our own assumptions and dogmatic thinking, even if it’s a dogma of science where we start to be more sure of our “knowledge” than we are eager to ask questions.  David tells me about how the leader of the cult he was in got tired of being parentified and urged his followers to participate in a seminar that was aimed at training people to think for themselves, which, to me, seems like a contradiction or paradox.  In my mind, the only solution is revolution… be it an internal revolution of the mind or an external revolution of the established social structure.

Let’s create a cult to end all cults.  Let’s revel in the contradiction of arbitrary authority.  Hang the David Bixby poster on your wall as an icon to incite a consciousness revolution.

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Thanks for letting me take a vacation… I’ll be taking more time off soon.

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Ep. 46: Waking Up to Corruption

David Bixby on The Unsigned podcast Ode to Quetzalcoatl poster

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We continue our short series on David Bixby, Christian cults, culture, and celebrity by comparing personal spiritual experience to top-down, hierarchical systems like cults of personality. Though my lexicon may differ significantly from David’s, we were able to identify many shared core principles, observations, and lessons from our communal search for purpose.

No Products

We live in an anthropic, self-similar world. In this place, things are very much as they seem; there is no need for a heaven above or a hell below.  There’s no need for a matrix, separating us from our true selves. In this place, the matrix is in you and all around you.  Here, power can’t loom over individual will; instead, we welcome the knowledge of a shared spirit weaving together our subjective experiences into a true human tapestry.

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Ep. 44: Sculpting the Golem

David Bixby on The Unsigned podcast Ode to Quetzalcoatl poster

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If you’re an aspiring artist, you may want to look into how to start a cult. If you’re the typical fame-whore, then a cult of personality is what you need most! On this, the second in a series of episodes chronicling the early life of David Bixby, David and I discuss how you create a cult, how you attract followers, and how they sculpt the leader, which I refer to as the golem.

This episode is sponsored by It’s Psychedelic Baby magazine. If you use the coupon code ‘KLEMEN’ when you purchase the David Bixby poster, then you’ll receive 10% off!

No Products

Have you ever been in a cult?  Would you know it if you were? If you gave money to a church or to a school, then you likely helped to fund a rape cult.

Ep. 43: How to put on shows

The SUNY Oswego Indie Series on The Unsigned podcast

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“If you build it, they will come.”

It turns out that colleges might not just be debt farms!

College students love new music and attending live music events; but, as they sink further and further into academic debt-slavery, they don’t have very much money to spend on cultural events such as these.  So, it’s important that they know the ways in which they can tap into school funds in order to put on great, inexpensive shows on their campuses.  Taking control of your own cultural development is no longer just an option; it’s a necessity.

On this episode, we hear from Jon O’Neil, who builds sound equipment through his company, Naiant, and volunteers for The Outer Banks Forum for the Lively Arts, which is a municipal music series. We also hear from Ted Winkworth, who was the lead singer for Another Breath and now runs the Oswego Indie Series at SUNY Oswego, where he is also a drug and alcohol abuse prevention professional.

No Products

The goal for this episode is to enumerate the ways in which college students and community members may attract funding in order to put on concerts in their area.  We will hear how this is done in schools as well as in the larger community.

Naiant on The Unsigned podcast
No Products

Don’t settle for slavery.

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The Unmixed tape #3

Ep. 42: David Bixby on Cult Leadership

David Bixby on The Unsigned podcast Ode to Quetzalcoatl poster

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David Bixby released Ode to Quetzalcoatl (OtQ) in 1969 and it has since become a cult classic album in the loner acid-folk-rock subgenre of American music.  Original pressings of the album have sold for thousands of dollars at auction and made David Bixby a figurehead for ex hippies and psychedelic hipsters who are seeking guidance in a world that has become more destructive and distorted than a bad trip.

In my interview with David, he tells me about growing up in the midwest during the late 60′s.  Echoing the story he tells on OtQ, David says that he took too much acid in too short a time and, without proper guidance or debriefing from his psychedelic experience, he found himself desperate for support and assimilating into a Christian cult, which he refers to only as “The Group.”

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In at the ground floor, David grew into this new identity as loyal cult member and second-tier leader.  His music helped draw impressionable young people who were then assimilated and exploited for their own individual talents.  The women were targeted for their sexual attributes as well as their managerial ones.  Men like Bixby were made into workers of this amorphous colony referred to as “The Group.”  A pyramid scheme in the truest sense, they were made to sell goods door-to-door for a well-known franchises, which the leader profited from primarily.

David’s second album, Harbinger, was marketed and sold in support of this cult.  He was not credited anywhere on the album at the behest of The Group leader.  I’d call it a hijacking but David assures me that he gave it willingly at the time.  This lead us to the heart of the interview, the golem.

Golems are constructions of any given group of people.  People assume that cult leaders are ego-driven, paternal or maternal sociopaths (this is true; I used to work for one) and that the cult members are victims.  But, you can’t sell what people aren’t buying and, in many ways, cult members build up their leaders and the leaders then turn into the monstrous golems that gain all the notoriety.  Pathological golems like Jim Jones, Charles Manson, David Karesh… they wouldn’t have been so monstrous without the support of their drones who are, themselves, miniature monsters dropping Caesar’s coins in the basket to buy lawyers or weapons.  The bundle of sticks surrounding the axe moves the same way.  The macro structure of the cult is fractally reflected in the micro structure of every interpersonal relationship or individual schema within it.

Conformity is an active process.  You have to willingly give up your personal power and let the shell of your former self be zombified by the voodoo of a nearby egomaniac who claims to know a better way.  Vulnerable are the guilty, the fearful, the lonely, and the self-loathing.

Psychedelics are powerful medicine.  Recent studies suggest that psychedelics like psilocybin and LSD have a great amount of power to facilitate change in personality, parsing truth from pretense and letting the individual regain control over their cognitive behavior.  I’m inexperienced in this (… and my personality sucks…) but I hear that the successful use of this medicine requires guidance.  The psychedelic territory is so foreign that someone needs to lead you through it.  The tricky part is finding a guide, not a leader.  You need someone who translates what the mycelium is saying, not someone who spins the message to benefit them or their privates.

“Hey pretty lady on drugs, the mushroom gods are telling me to tell you to take off your clothes.”

We all search for meaning.  We all need answers of one sort or another.  Some are happy distracting themselves with material things like shoes, outfits, or vibrators.  Some of us build elaborate metaphorical mental structures called dogma.  Others are less cognitive and more behavioral, performing redundant rituals in search of something less redundant, I think.  Others just say, “fuck it,” and kill themselves in order to escape the sadistic suffering imposed on them by their creator.  Even Jesus knew that, when surrounded by ignorant fools, your best bet is to just GET THE FUCK OUT.

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… more to come

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Ep. 37: Rosie and Me

Rosie and Me on The Unsigned podcast

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Rosie and Me is a 5-piece folk-pop band from Curitiba, Brazil.  They were formed when singer-songwriter Rosanne Machado began sharing her songs on the internet.  In 2010, comprised of Rosanne Machado (vocals/acoustic guitars/banjo), Guilherme Miranda (bass guitars), Ivan Camargo (acoustic guitars), Tiago Barbosa (drums/perc) and Thomas Kossar (electric guitars), the band released their critically acclaimed EP “Bird and Whale” and had their song “Darkest Horse” featured in the season finale of the top TV series “One Tree Hill” (8th season).

Rosie and Me‘s new LP is called Arrow of My Ways and is available to international fans on iTunes.  Be sure to follow Rosie and Me on Facebook and Twitter to get information on their upcoming shows in the U.S.

Sometimes, when I really love a new band, it’s easy to put why into words.  Bands like Shoppers, Snowmine, Brown Bird, Roh Delikat, and subPixel stimulate my Broca’s area and make writing about them easy.  Rosie and Me has been different.

Rosie and Me demands my undivided attention.  Arrow of My Ways is packed with peaceful yet passionate tracks like Light You Up and Treehouse, which are about as romantic as can be…

“Dear, I guess that I’ve known you forever
From far away, from long ago
You know hearts like ours hold a promise
That has been kept for so long”

 

Rosie and Me’s Website

… Rosie and Me on iTunes

… Rosie and Me on Facebook

… Rosie and Me on Twitter

… Rosie and Me on Soundcloud

Rosie and Me – Bonfires from nathaliatereza on Vimeo.

Rosie and Me will be playing the Hotel Cafe showcase at SXSW, on March, 17th. This will be the  lineup:

St Davids Bethell Hall (Austin, TX) – March 17th (Saturday)

7 – Rosie & Me

730 – Erin McLaughlin

8 -  Elizabeth & The Catapult

830 – Micah P Hinson

9 – Milk Carton Kids

930 – The Lumineers

10  (cushion)

1030 – Firehorse

11 – Whispertown

1130 – LP

12 – Rachael Yamagata

Ep. 35: subPixel

subpixel on The Unsigned podcast

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subPixel‘s new double EP, The Wave, is out and it’s f’ing radical.  This is the first time I’ve heard of a double EP and I’m not at all surprised that it came from subPixel.  There are 2 versions of 6 songs, which makes for 12 tracks.  Each song is done in two formats; the first format is live with real instruments; the second format is called “chip” and uses the same technology as 1st generation Nintendo used.

What’s special about subPixel‘s The Wave is that the two versions can be played synchronously and mixed channel-by-channel with an upcoming application made by subPixel.  This is genius.  It’s genius AND it sounds good.  There are a lot of progressive projects out there that sacrifice melody and hook in order to experiment with odd syncopation and abstract harmonies.  The problem is, many of those projects get the soul squeezed out of them early in the conceptual phase and become impressive yet hollow robotic novelties.

Instead of musically masturbating on tape, subPixel uses his mathematical mind to document the many levels of melody that run rhythmically through his musical mind.  He’s one of those guys who never stops hearing music because he never stops listening.  If you’re in the Hudson Valley, check out one of his performances in New Paltz!

subPixel on Bandcamp

… subPixel on Facebook

… subPixel on Ubiktune 2, 3

Ep. 34: Derrick Hart

prodigal songs on the unsigned podcast

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I’m sick.  My nose is running so much that I am forced to stop it up with a handful of tissues, which I transformed into some sort of nose-tampon.  It’s a good opportunity to play a pre-recorded interview, right?

This episode is intended to mark the one-year anniversary of this podcast!  Hooray for us, yay… Our first episode featured Derrick‘s album “The Shock You Experience at the Sudden Recollection of the Moment You were Conceived” and now we’re going to feature an interview with Derrick and listen to some tracks off of his new LP, “Prodigal Songs“, which can be found on Bandcamp for only $5!

I’ve known Derrick since I was a kid.  His was the first “indie” band I ever saw and he’s the first person to instruct me on how to make the most out of a 4 track cassette recorder (that’s an antique tool used to capture sound onto analog tape for all of you who are under 22 years old).  Still, to this day, he’s one of the greatest singer/songwriters I’ve ever seen (that means you too, Joe Cocker!).

Derrick never spoke much; in the interview, he talks about spouting off about The Bible when he was younger but I never heard him do that back in the day.  What I remember most is that he’d disappear for a while and then we’d hear that he showed up in Seattle or something.  He always struggled with chemical addiction and he speaks very openly and honestly about it in the interview.  This is also a running theme on Prodigal Songs.

Derrick recently went on tour with David Bixby and they not only share the fact that they’re both accomplished singer/songwriters; they have both struggled against the traps of dogmatic thinking.  Derrick is helping to introduce David to the underground music scene in which David has become a cult phenomenon amongst hipsters and their psychedelic kin.

Finally, Derrick also speaks about his record label, “Wreckingball Wreckords“.  We will be featuring other artists from this label in the future; so, subscribe to the podcast and prepare yourself for some great tunes!

Ep. 33: Brown Bird

Brown Bird Sea for Salt on The Unsigned podcast

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No, that’s not a theme song for a new season of The Wire; that’s Brown Bird‘s “Thunder and Lightening” and it’s damn good.  It’s almost as good as “End of Days”, which is imperceptibly better than “Fingers to the Bone”, which is tied with “Bilgewater” and “Cast No Shadow”… at least that’s how I ranked the available tracks from Brown Bird’s new LP when I first listened.

I ranked the tracks on Salt for Salt differently on the second listen… inverted that list on the third… and threw it out by the fourth.

The 5 songs available online are really solid but if you buy Salt for Salt for $8.99, you get 6 additional songs, which is an incredibly good deal for a popular and talented new band!

Brown Bird will be playing with Larcenist and  Sam Katz in the Hewitt lounge at SUNY Oswego. $5 for students & $10 general admission. Doors open at 7.  Tickets are available at the Suny Oswego box office or at the door.  If you’re living in Oswego, going to school there, or in a nearby town like Syracuse or Rochester, this is a show to see!

Brown Bird on the unsigned podcast

Brown Bird’s  website

… on Bandcamp

… on Facebook

… on Twitter

 

 

Ep. 31: Snowmine

snowmine on the unsigned podcast

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“Nothing lasts forever” is the recurring message I get when listening to Snowmine‘s Laminate Pet Animal.  The layers of instruments, effects, and vocals repeatedly hammer home the idea that everything that comes also goes.

“Linear time is an illusion,” is what I keep reminding myself, trying to ward off the non-illusory sense of loss that comes when the album’s over.  In my head, I’m always listening; my brain’s still trying to process it bit by digital bit.  Is it anthemic folk rock?  Hook-laden outsider art made from found pieces thrown away by Brooklynites along with cans of Blue Ribbon?  Nope.

Memories fade, tastes change, but form can persist if it’s shielded from agents of decay.  In pop music, some agents of decay are contracts, advances, award shows, chart listings, and smiling suits.  That’s why finding great bands such as Snowmine is so rewarding.  Albums like Laminate Pet Animal are beloved companions on long car rides and whilst doing chores.  Though the idea of laminating a beloved pet animal seems morbid to me, the idea of saving a vacuum sealed copy of Laminate Pet Animal is appealing because I know that this band deserves to stay untarnished and fresh.

Snowmine on Bandcamp

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Ep. 24: Shakey Graves

Shakey Graves on The Unsigned Podcast

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“Come skin your knees with us; life’s too short for a business lunch.”

Is that Neil Young singing backup?” I heard him sqwaking real low on “I’m on Fire” or so I thought.  Instead, it turned out to be just another choral arrangement written and pitch-perfectly performed by Shakey Graves.  Shakey Graves’ album, “Roll the Bones,” is available now on Bandcamp for any price you think it’s worth (name your own).

I was introduced by Daniel Harris (of Doctors Fox and solo fame) a couple of months ago and have been hooked like a fish on the lure.  I don’t usually get into lyrics that much and I realized it’s because there are truly few lyricists out there.  Shakey Graves is a lyricist.

In his live performance, Shakey Graves not only plays on words; but, he also plays on melody, structure, and tone.  Watch his YouTube videos after buying the album and listening to it for a while; you’ll see this play out from the jaunty perspective of a camera atop a tambourine atop a hi hat.  The background tosses and the singer waves.  The guitar floats hastily and the tune shakes us to our graves.

“Sell your belongings, all your clever drawings, and try to make a dollar from the grave.  Try to forget all those enemies and debts.  They’ll always chase you around and give you sour dreams.”

Shakey Graves on Bandcamp

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“All of my tattoos, they were of no use; no monetary values have I. It won’t be long ’till I belong… without all of this unlucky skin.”

Ep. 21: Larcenist

Larcenist on The Unsigned podcast

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Larcenist, a hard-working troop from Boston, MA has released a free EP on Bandcamp; it’s called ‘We Become the Hunted’ and you can find it here.

As is true for many of the bands featured on The Unsigned, it’s difficult to fit Larcenist into any particular genre. Their diverse arrangement of instruments, group singing, and harmonious interplay in concert reminds me of the extremely dedicated yet loose camaraderie typical of pirates, of which I know many. There’s a lot of nostalgia not only in the lyrics but also in the folk-based approach to songwriting, arrangement, and performance. It’s impossible to dislike this band.

Check them out on Twitter, Facebook, Bandcamp, & Tumblr!

Ep. 11: Harry Wilson, Adam Baker, Circinus

Adam Baker
Harry Wilson
Circinus

Harry Wilson consists of two musicians from upstate NY named Mike and Adam. Adam also has a solo project and participates in another band named Circinus with brothers Erik and Richard.  Harry Wilson mixes emo with a country sensibility and romantic motivations, whereas Adam’s solo project is reminicent of Brandtson, Appleseed Cast, and other bands of the late 90′s Deep Elm Records days.

Circinus, whose music I could not get from their myspace page, but who you can listen to by clicking here, is also very emotionally driven, though it features more vocal harmonies and seems almost influence by renaissance music or baroque.  If you really dig lyre’s and lyrics about knights’ conquests of land and women, you may be disappointed; they play guitars and sing about hippier times.

Ep. 7: David Bixby

David Bixby on The Unsigned podcast

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This is best viewed in iTunes as an enhanced podcast with more pictures and links.  
Subscribe with the button on the right! —–>
David Bixby went from pothead to folk-legend, from cult member to free-thinker, from sailor to shipwreck-survivor, and from rebel to revolutionary war re-enactor.  Through all these superficial changes, he’s remained true to his nature.  Now, 40 years after his independent music career began, he’s a legend among acid folk fans.  Yet, he’s just getting started.

David Bixby’s album, ‘Ode to Quetzalcoatl’, was self-released in 1969.  David began his career in the Michigan folk scene of the late 60′s, which, evidently, strived to step outside midwestern morality and taste the heady hedonism of the west coast.  After diving straight into drugs, divinity dawned upon David.  Feeling free for the first time in years, David sang songs of joy and remorse straight from the heart.  Recording independently and drenching his soulful soliloquies in tape-delay, David Bixby begot ‘Ode to Quetzalcoatl’.

Though David’s songs emanate from a newly found sense of love, they reverberate off of his overpowering  regret over his past behavior.  It’s deeply personal in much the same way that hardcore and punk rock is, though drastically different aesthetically.

 

Ep. 5: Daniel Harris

Screw you, folk-rock; Daniel Harris is taking no prisoners.  His self-proclaimed “anti-folk” album, 32 bits isn’t really 8 bits better, promises to dismantle the overly-litteral alliterative axioms of classic folk music.  It’s stripped down orchestration that sounds HUGE (especially through headphones).  It’s catchy; you’ll find yourself humming the tunes in the shower and, in doing so, cursing the ground that Joni Mitchell paved through history.
This album can be found at Daniel’s bandcamp page ($7 CD, $5 digital download).
You can find his visual art here.
Listen to his band, The Doctors Fox, here.
Subscribe to the podcast through iTunes; it’s free and you’ll hear tons of new, interesting bands. —–>

Ep. 4: Karyn Patridge

karyn patridge on the unsigned podcast

Karyn Patridge is a singer/songwriter from Portland, Oregon.  Originally from Oswego, NY, Karyn has migrated her beautiful voice and guitar picking sensibilities to the cafes and bars of the northwest.

Karyn blends folk, country, blues, and soul into a concoction synthesized by her own introspection.  Her voice takes her shy personality and beats you over the head with it.   Undeniably powerful, she can draw you in with a sweet, soft melody and then bowl you over with a thunderous roar.

More of Karyn‘s music can be found here.  If you’re in Portland, check out her reverbnation.com site to see if she’s performing!

unsigned indie band rock and roll
unsigned indie band rock and roll